Perez Art Museum Miami (PAMM) is pleased to present Every Sound is a Shape of Time: Selections from PAMM's Collection, a multidisciplinary exhibition featuring over 20 works by 17 artists including painting, sculpture, and lightwork. Curated by PAMM director Franklin Sirmans, the exhibition showcases works from the museum's collection made between 1958 and 2020- half of which will be presented for the first time. Participating artists include Abraham Cruzvillegas, Alfredo Jaar, Ellsworth Kelly, Glenda Leon, Helen Frankenthaler, Jennie C. Jones, Jules Olitski, Julie Mehretu, Lawrence Weiner, Luis Camnitzer, Lydia Okumura, Mark Bradford, Morris louis, Nicole Cherubini, Richard Serra, Richard Dupont, and Robert Morris. The title of the exhibition, Every Sound is a Shape of Time, alludes to Cuban artist Glenda Leon's work, inspired by "the space where sound and the visual merge." The exhibition speaks to the interconnectedness between universal elements through the various multimedia artworks on view, centered around the core elements of beauty and humanism, and grounded in the strength of a plurality of voices. "With Every Sound is a Shape of Time, we're excited to bring together works that reflect on the common threads that emerge from our collection," said PAMM Director Franklin Sirmans.
August 8, 2024 - March 16, 2025
Carolina Nitsch At Art Basel Booth E1 with works by:
Louise Bourgeois, Maurizio Cattelan, Richard Dupont, Tracey Emin, Urs Fischer, Adrian Ghenie, Donald Judd, Matt Mullican, Raymond Pettibon, Sigmar Polke, Gerhard Richter, Faith Ringgold, Thomas Schutte, Tschabalala Self, Kiki Smith and Mickalene Thomas
Richard Dupont will exhibit new sculpture with Carolina Nitsch at Art Basel Miami Beach 2023. Other artists exhibited: Josef Albers, Louise Bourgeois, Tracey Emin, Donald Judd, Marilyn Minter, Ebony G. Patterson, Tschabalala Self, El Anatsui, Mary Heilmann, Vera Lutter, Raymond Pettibon, Thomas Schutte.
Booth C2
Published by the Perez Art Museum Miami and Delmonico Books / DAP
Foreword by Franklin Sirmans. Text by Maritza Lacayo, Christian Viveros-Faune, David Hunt, Richard Dupont. Interview by Emily Hall
This definitive volume, spanning more than two decades, surveys the works and writings of New York–based artist Richard Dupont (born 1968), and their prescient bearing on a paradigm-shifting period of technological and cultural transformation.
Much of Dupont’s work stems from a complete digital model of his body created between 2002 and 2004, and 3D body scans obtained while participating in a US military anthropometry study. This overview reveals how Dupont’s work mirrors digital technology’s infiltration of our lives, and the extent to which the commodification and virtualization of the body have become commonplace in our culture of “self-surveillance.”
Illustrations emphasize his works’ physical aspect, where traditional materials and techniques such as plaster and bronze casting play a role, as do the use of experimental techniques and materials such as cast polyurethane, poured silicone, 3D-printed resins, digital scanning and the manipulation of found objects.
An innovator throughout his career, artist Richard Dupont has opened up new avenues of expression in a variety of media including sculpture, drawing, installation, painting and printmaking. His work with digital technologies and fabrication methods, was recently highlighted in MAD’s exhibition Out of Hand: Materializing the Postdigital. One of the first to incorporate the advanced technologies so widespread today in the fields of Art and Design, Dupont’s work has always maintained a critical position in relation to our rapidly changing digital culture. Dupont is one of four recipients of the 2014 MAD Visionary Award.